Categories
Autobio pieces.

No Contest.

NO CONTEST.

Sunday after Sunday

we trod the way,

familiar past the point of boredom.

The way led to the House of God. 

Ten, twenty, thirty children,

all under sixteen

marched as prisoners 

to sing and listen to Jesus, 

who never answered

our prayers for a mum and dad

to care, or to care for. 

.

Books, it was,

that broke bewilderment,

that offered the key

to end imprisonment.

They lifted me

from baffled thoughtlessness.

Before that,

ambition tied to ignorance

left me gullible.

I swallowed sorcery from tricksters,

when licence was offered, I took liberties,

I clutched prejudice to a proud heart,

and sought revenge

mistaking it for justice.

.

Then I found Aberdare’s new library,

top of Canon Street, huge and glassy. 

Not the cramped Wesleyan chapel next door

where Sunday folk dropped pennies

into a box they hardly believed in.

No lungs strained for hymns there.

Prayers mumbled and stale

floated up each Sunday

only to fall on stony ground

by Monday.

The contrast was plain:

the threat of righteous censure

against the liberty of shelves.

No contest.

.

The library became my cathedral.

Imagination rang its bells.

Books unlocked the gate.

By six, Enid Blyton gave me gangs;

the Famous Five, the Secret Seven,

comrades in mystery and mischief.

By seven, Dickens pressed in,

filling my head with orphans, villains,

hunger and law courts,

a world too close to mine.

At nine, Alexandre Dumas,

swashbuckles and swords

against the grey of chapel hymns.

At ten, Jack London’s wolves and sailors,

men wrestling ice and hunger.

I believed him.

At eleven, Fenimore Cooper’s wild frontiers

where betrayal and survival tangled.

At twelve, I hid with Edmond Dantès,

learning revenge and patience,

then drifted downriver with Huck Finn

into questions grown-ups never answered.

Orwell was waiting,

his words sharp as glass.

I never let him go.

By fourteen, Harper Lee

was my secret shield.

Scout’s wide eyes,

Atticus’s weary honour,

whispers that justice was fragile,

but not impossible.

At fifteen, Hardy’s hollow lanes

where passion bled into ruin.

At sixteen, Steinbeck’s dust and grapes,

labourers breaking under hunger,

their pain written plain.

Holden Caulfield sulked nearby,

proof I wasn’t the only boy

who thought the world a phony mess.

By seventeen, George Eliot

showed the depths of interior lives.

At eighteen, Albert Camus

poured absurdity into my veins

cruel, brilliant, alive.

At nineteen, Richard Wright’s

Native Son seared me raw;

I felt the machinery of race grind on.

And Ian McEwan,

with his scalpel for desire and cruelty,

has walked beside me ever since. 

In my twenties, the poets arrived.

Dylan Thomas with thunder on his tongue,

W. H. Davies, tramp-turned-bard,

giving voice to the road’s forgotten.

Those shelves were my escape route

– doorways rather than sermons –

each book a lifeboat on the ocean of literacy,

each page a comrade.

.

I built a new chapel there:

Huck at the pulpit,

Orwell in the choir,

Dickens on the steps with orphans like us. 

Thomas ringing the bells,

holy and drunk.

While chapel hymns fell flat,

The library sang

and still sings in me.

I found a tunnel to dance through,

a world made new:

no crammed, illogical dogma,

but a theme park, a festival,

a circus where my mind could revel.

I landed on an island

where the Bible, battle lost,

asked only for my generosity

which abounds

when I know I can choose,

and when I know, I have nothing to lose.

.

.

.

.

.

.

.

familiar past the point of boredom.

The way led to the House of God.

Ten, twenty, thirty children,

all under sixteen

marched as prisoners

to sing and listen to Jesus,

who never answered

our prayers for a mum and dad

to care, or to care for.

.

Books, it was,

that broke bewilderment,

that offered the key

to end imprisonment.

They lifted me

from baffled thoughtlessness.

Before that,

ambition tied to ignorance

left me gullible.

I swallowed sorcery from tricksters,

when licence was offered, I took liberties,

I clutched prejudice to a proud heart,

and sought revenge

mistaking it for justice.

.

Then I found Aberdare’s new library,

top of Canon Street, huge and glassy.

Not the cramped Wesleyan chapel next door

where Sunday folk dropped pennies

into a box they hardly believed in.

No lungs strained for hymns there.

Prayers mumbled and stale

floated up each Sunday

only to fall on stony ground

by Monday.

The contrast was plain:

the threat of righteous censure

against the liberty of shelves.

No contest.

.

The library became my cathedral.

Imagination rang its bells.

Books unlocked the gate.

By six, Enid Blyton gave me gangs;

the Famous Five, the Secret Seven,

comrades in mystery and mischief.

By seven, Dickens pressed in,

filling my head with orphans, villains,

hunger and law courts,

a world too close to mine.

At nine, Alexandre Dumas,

swashbuckles and swords

against the grey of chapel hymns.

At ten, Jack London’s wolves and sailors,

men wrestling ice and hunger.

I believed him.

At eleven, Fenimore Cooper’s wild frontiers

where betrayal and survival tangled.

At twelve, I hid with Edmond Dantès,

learning revenge and patience,

then drifted downriver with Huck Finn

into questions grown-ups never answered.

Orwell was waiting,

his words sharp as glass.

I never let him go.

By fourteen, Harper Lee

was my secret shield.

Scout’s wide eyes,

Atticus’s weary honour,

whispers that justice was fragile,

but not impossible.

At fifteen, Hardy’s hollow lanes

where passion bled into ruin.

At sixteen, Steinbeck’s dust and grapes,

labourers breaking under hunger,

their pain written plain.

Holden Caulfield sulked nearby,

proof I wasn’t the only boy

who thought the world a phony mess.

By seventeen, George Eliot

showed the depths of interior lives.

At eighteen, Albert Camus

poured absurdity into my veins

cruel, brilliant, alive.

At nineteen, Richard Wright’s

Native Son seared me raw;

I felt the machinery of race grind on.

In my twenties, the poets arrived.

Dylan Thomas with thunder on his tongue,

W. H. Davies, tramp-turned-bard,

giving voice to the road’s forgotten.

And Ian McEwan,

with his scalpel for desire and cruelty,

has walked beside me ever since.

Those shelves were my escape route

– doorways rather than sermons –

each book a lifeboat on the ocean of literacy,

each page a comrade.

.

I built a new chapel there:

Huck at the pulpit,

Orwell in the choir,

Dickens on the steps with his orphans,

Thomas ringing the bells,

holy and drunk.

While chapel hymns fell flat,

The library sang

and still sings in me.

I found a tunnel to dance through,

a world made new:

no crammed, illogical dogma,

but a theme park, a festival,

a circus where my mind could revel.

I landed on an island

where the Bible, battle lost,

asked only for my generosity

which abounds

when I know I can choose,

and when I know, I have nothing to lose.

—————————————


B

T


T

t

B

t

v

t

.

,

I

At

At

with Edmond Dantès,

The Count of Monte Cristo

learning revenge and patience.

and

The same year Huck Finn

paddled into my life,

showing me how a boy and a runaway slave

could float downriver into questions

grown-ups couldn’t answer.

Orwell was already waiting,

with words that cut like glass.

I never let him go.

By fourteen I carried

Harper Lee

like a secret shield.

S

A

t

b

,

w

w

A

.

C

w

w

,

.

A

b

R

A

L

I

I

t

,

r

t

A

h

T

n

E

e

I

H

O

D

B

I

t

I

Pete Aki'i's avatar

By Pete Aki'i

Hello there... I'm Pete Akinwunmi, aspiring poet, singer, harmonica player, saxophonist, sports psych & erstwhile rugby player. On this site you’ll find my writings in the form of poems and song lyrics (a few of both accompanied by video footage) expressing my love of words, word play and fun expressing personal psychological insights related to being the best you can be or at least as happy as possible with what you are.

Leave a comment